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New Yorker Speaking of must-read essays: Michelle Garcia’s deconstruction of filmmaker Alejandro Jodorowsky’s reading of the tarot for an elite audience at the Museum of Modern Art is pretty magical. The Baffler Eve Babitz — writer, dater of the famous, poser of the infamous nude chess-playing photo with Marcel Duchamp — is having a moment.
Her 1979 novel “Sex and Rage” was just re-released by Counterpoint Press, following re-issues of her essay collections: “Eve’s Hollywood” and “Slow Days, Fast Company.” These have invited some intriguing reconsiderations of her work.
VPAC will be renamed the Younes and Soraya Nazarian Center for the Performing Arts — “the Soraya” for short.
Los Angeles Times— Critic Andrew Russetth asks if the Broad’s Kusama tickets are simply too much — especially at a time when some critics are arguing museums, like libraries, should be free.
The Guardian— Pairs well with this photo essay on Broadway in downtown Los Angeles by Leopoldo Peña.
Thankfully “Angels in America” will be broadcast live to U. For the duration of the performance, reports Times classical music critic Mark Swed, Gustavo Dudamel and the L. Los Angeles Times The play is about a condition that turns the citizens of a French town into rhinoceroses, but it’s really about “the seductively corrosive lure of herd mentality,” writes Times contributing reviewer Philip Brandes.
“Sex and Rage” is plotless, reports critic Michelle Dean, but it is a “portrait of an It Girl on the verge of a nervous breakdown that softens and opens the type.” Los Angeles Times And “’Sex and Rage’ isn’t as sharp as the books Babitz made her name on,” writes Jia Tolentino.